Showing posts with label spanish. Show all posts
Showing posts with label spanish. Show all posts

Sunday, 17 February 2013

Animation: Violeta, la pescadora del mar negro




Violeta, la pescadora del mar negro (Violeta, fisherwoman of the black sea) is a stop motion animation by Spanish duo Marc Riba & Anna Solanas. It is a dark horror tale and the gloomy visuals - which remind me slightly of films by The Quay Brothers - reflect this well.



The models in the animation are big-eyed and innocent-looking, but don't be fooled; things turn bizarre and disgusting very quickly! That, of course, is not a negative point and it's the strangeness that makes Violeta... a more memorable animation.

Thursday, 20 September 2012

Interview: Natalia Hernández González

Piano Song by Natalia Hernández González

Last month we wrote about Natalia Hernández González, an up and coming, spooky Spanish artist, whose mixture of childlike and macabre make her pieces both fascinating to look at and slightly unsettling. This month, HSL has had the opportunity to interview Natalia and find out what inspires her work.


- Firstly, thank you for doing this interview. Please could you introduce yourself for those unfamiliar with your work?
My name is Natalia; I always liked drawing, painting... art in general. I studied Fine Arts, but during the degree I was not sure what I wanted to do. In the last course I discovered the illustration world, and I haven’t been able to escape since then, nor have I wanted to.
When I started painting I realized paintings like a cloth doll hanging from the neck. This doll appears in several other pieces. Obviously, or not so much, almost anyone liked this kind of art.
People ask me very often why I draw these things, and not cute others. Well, I consider that I do esthetically nice characters and scenes, but most of the times the background is dark and sinister. I love this contradiction; this is all, nothing more. I love it.

I created the Spooky Delight blog around two years ago. I update everything I do. I would like to work as an illustrator, and since then I’m drawing daily (more or less) to get it.

And because of people like all of you, I am really pleased to do it.

- When did you first realize you wanted to be an artist?
First of all, thank you for calling me an artist. At the moment I don’t consider myself as an artist, I simply love drawing, and I love my little creatures.
I always known I would like to work in something that I liked, and there is nothing I like more than this.
Also, I like drawing since I have memory.

- Are there any other artists whose work you particularly enjoy?
There are innumerable artist I admire: popular artists and others not so well-known, and from different disciplines, as Tim Burton, Mark Ryden, Roman Dirge, Gus Fink, Ray Caesar, Nicoletta Ceccoli, David Stoupakis, Chet Zar, and a very large etc.

- Have they been influential to your style?
Of course. Always has to be a start.
My beginnings were investigating those artists because I liked their work. My style is a consequence of investigating them but it is not in a deliberate way. I learn something from every one of them, it’s such  subliminal messages in my mind.

- What else inspires you when creating a piece?
My state of mind. I recognize that not always I can draw as I want, because I’m obligated to do more commercial things.
Drawing is my therapy to escape this suffocating world. I know that it’s not the correct way, but usually, when I draw only for me, I don’t think what I’m doing: without a sketch, I grab paper and pencil, or computer and tablet, and it simply appears.
In addition, I have a file with different pictures that I collect. When I’m blank I use to review this file to inspire me.

Balance by  Natalia Hernández González

- Some of your pieces, such as 'Balance' have a specific theme and message. Is it important for your audience to understand the meaning or are you happy if they simply enjoy the aesthetics?
No, it’s not important for me that everybody understands what I want to say. It’s funny when they give me their different points of view. ‘Balance’ is for a contest with a specific theme, but it’s not usually that way, only if it’s for a request or similar.

- If you had to describe your art in five words, which five words would you choose?
Sinister, childhood, cute, tragic, fun.

- A lot of your pieces are simultaneously creepy and cute. Is it difficult to maintain the balance between those elements?
It’s not really difficult; I do it without thinking about it. A trick is including strange or dark elements in an inappropriate scene.

 - Does the "creepy-cute artist" box ever confine what you create, or do you simply paint / draw whatever you're inspired to paint / draw, regardless of the label?
I never think about it. I only draw, I don’t care about labels, but I like to move through these two words: creepy and cute.

- As well as painting from your imagination, you take commissions from clients. Is it difficult to work around someone else's ideas, or is it fun to produce designs in styles that you might not have tried otherwise?
Both parts have enough weight. It’s difficult to work through the eyes of a customer, but it supposes a funny challenge. Sometimes, as you say, I discover or learn something new, and these little things ends in a big learning.

- What's the most interesting commission you've been given so far?
I worked on the illustration of a children's book, and I really liked the illustrations and the story. It wasn't as dark as others, but I’m very pleased with the results, I think they illustrate very well the most important moments and still keep the spooky style.

- Over the years, you've been using digital painting more frequently. Do you prefer it to "traditional" mediums (acrylics, watercolours etc.)?
I like painting with both mediums. Lately I draw with the digital way due to the small space that I have, but sometimes I need to change to watercolor or acrylic, I miss it. Sometimes I also need the fast results of the watercolor, or its organic shapes.

- How else has your style changed since you began professionally?
Modestly, I think that I have been improving over time technically, and the scenes are more subtle than before but more sinister too (especially the more personal work).

Offering by Natalia Hernández González

- What's the best thing about being a professional artist & designer?
The best is looking back and see what you have learned and improved. Those little things you learn while working, really show the difference with older work.

- And the worst?
I think the worst is the hard effort of sending the work, trying to show it to as many people as possible, and being rejected in some places.

- When you're not creating, how do you like to spend your free time?
When I’m not creating I’m sending e-mails with portfolios, with CVs, speaking with potential clients etc. But in my free time I like listening to music, going out with my friends, and taking care to my small pets: a white bunny and a black ferret.

- Lastly, could you give a message to any fans of your art?
I would like to thank everyone who sees and likes my pictures. The work comes really alive when there is other people that talk about it.


Many thanks to Natalia for the interview! 
You can check out more of her work on the websites below:

Tuesday, 19 October 2010

Haunted Houses: Cortijo Jurado



Hey there little monsters!
My name's Erinia and I'm new here~ hope you find my posts interesting or at least, entertaining!

Today I'm going to write about the most famous haunted house in my town (Málaga, Spain). It's called "Cortijo Jurado" and the legends about it started around 1850. Mysterious figures walking around, lights in rooms that appear and disappear, objects moving for apparently no reason, strange noises...Many stories surround this creepy house, in which terrible crimes and tortures were supossed to have happened a long time ago.

This house belonged to one of the richest, most famous families in the city, and because of that and their big influence, even now, lots of stuff has been covered, and even corridors in the house and rooms have been locked. Even so, lots of people and experts from all over the world have come to investigate and many curious people have gone through what they call "supernatural experiences" there.

Mainly, the legends about this house are about terrible tortures and murders of little girls through some "satanic rituals" and very cruel and bloody methods. At the time the house was inhabited by this very rich family, lots of young girls disappeared and some neighbours talked about screams and strange noises at night.

Probably, nowadays, the most famous story is that of a group of 5 young people who entered the house and conducted a ouija board session there. According to this story, they contacted a little girl called "Elena" -so were the letters indicated on the ouija table. The girl was said to be 12 years old and she had been murdered there. The next words who followed "murder" were "lots of pain" "kidnap" and when the young people there asked if she was alone and where she was buried, she replied "not alone" "girls" "patio" "4(metres)". The story goes on with the young people running away totally scared and, on the way, witnessing a light that was pointing to a place on the patio.

In addition to that, in my personal experience, some friends of mine went into the house a few years ago, knowing very little about it, and they all said that they had heard an inner voice telling them to "come". The one who waited in the car asked them where the torch was when they came back. Then one of them replied that they had left it in the car. Indeed, they hadn't taken it, but the guy in the car saw a light moving on the second floor, where they were at that very time.

Scary, isn't it? I know lots of stories about this house and frankly, they're all quite spooky!
Here you have some of the most famous pictures of the house. I can't verify their authenticity but well, you can see a strange figure on a couple of them and a weird glow on another picture, and just adding a bigger and clearer shot of the house so you can see it better.

Maybe one day I will dare to go inside and tell my own story but until then, that's all!
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